How Long Does It Take To Film A Music Video?
- Richard Rodriguez
Image by Rachel Murray / Stringer / WireImage / Getty Images titled “Choosing the Right Song.” Even if producing a music video for your next song would appear to be the most logical thing to do at first glance, you should keep in mind that this isn’t always the case.
- When selecting a music, here are some more considerations to keep in mind: Prepare for the future or sing an old tune you know.
- The time it takes to film, edit, and produce a music video will be far longer than you anticipate.
- If the song is longer than three minutes, your “new” single may have already been released by the time you’ve uploaded the video to YouTube.
Rather than doing that, you could think about picking a song that has been successful in the past or using a single that is scheduled for release in the future, after you plan to publish your next single. Do not limit your thinking to the concept of a “single.” In this day and age of internet streaming, every music has the potential to be released as a single.
- Therefore, you may choose a track from an album that wasn’t initially intended to be a single but for which you had a brilliant concept for a music video in the past.
- This is true even if the tune was on a different album.
- It is recommended that you begin on a modest scale.
- It is possible that you and your team may need anything from two to ten hours to shoot, edit, and produce a music video for every minute of a song that is featured in the video.
The more you delay, the higher the likelihood becomes that you will give up on the endeavor. Be certain that your music motivates the band in a genuine way. There is a good chance that you won’t enjoy every song that you and your band write or perform.
It is important for music videos to be genuine reflections of the artists who created the song. If the band does not feel motivated by the words and sounds of the song that they have chosen, even the finest filmmakers will have a difficult time putting together a successful music video. Think about paying copyright fees if the song does not belong to you.
Do not automatically believe that you have permission to utilize a music that is not yours. Get the necessary documentation in order to continue forward legally if your band’s budget allows you to make a video for a song by someone else that does not already have a video or single out on it.
How much does it cost to shoot a music video on film?
Written by Max Rosen, Chief Executive Officer of Indigo Productions This day and age is experiencing a revival in the art form of music videos, as an increasing number of musicians and record companies are electing to issue Video Singles as opposed to the more conventional Audio Singles.
Artists now have the ability to share their work and market themselves in fresh and original ways, thanks to the proliferation of digital video platforms such as YouTube, MySpace, Facebook, and a plethora of other similar sites. The question is, how much does it cost to make music videos? Where exactly does all of the money go? Budgets The concept development, storyboarding, pre-production, casting, on-camera talent, choreography, rehearsals, location fees, props, costumes, production equipment, production crew, post-production, editing, motion graphics, visual effects, color correction, video encoding, and digital delivery are typically included in the budget for the production of music videos.
A professionally made music video can have production costs that run anywhere from $20,000 to $500,000 and even more. There are a few music videos produced each year that have budgets in the seven-figure level, but they are the exceptions to the rule in terms of the general market.
- If your spending plan is closer to the bottom of this spectrum, you will have to forsake lavish visual effects, pricey locations, and all the bells and whistles that money can buy.
- A creative production business, however, should still be capable of effectively communicating the core of your narrative in whichever medium they choose to use.
If your financial resources are on the higher end of this spectrum, the sky is the limit in terms of the wonderfully inventive things you may accomplish, like the following: You name it, and this movie probably has it: mind-bending ideas, famous directors, jaw-dropping settings, intricate visual effects, extravagant stunts, high-speed automobile chases, and star talent.
Higher production standards may give you incredible bang for your buck in comparison to other methods you might obtain the same degree of attention, which is beneficial for musicians who are truly seeking to differentiate themselves from the plethora of other music videos that are available online. When developing a budget for the production of a music video, the following are the important considerations to keep in mind: 1.
Could you explain your idea? Who exactly is going to think of that solution? Some video production businesses have their very own in-house creative services departments, which are staffed with teams of writers, directors, and designers that are able to conceptualize and storyboard a variety of creative possibilities for you to select from.
Obviously, doing that will cost you some money. Some artists are already clear on the conceptual direction they wish to take their work, and all they require is assistance in bringing their ideas to life on film. In either case, a fantastic music video must begin with a fantastic concept. If you are unable to think of a brilliant idea on your own, it is in your best interest to find someone else who is.2.
The Settings, the Costumes, and the Props These components are responsible for giving your film its appearance, and the significance of these aspects cannot be overstated in terms of the influence they have on the final project as a whole. The cost of renting a good site can be high, and it is generally necessary to have pre-existing connections.
Even places that are free of charge frequently wind up costing some money. The use of a friend’s country chateau may need the hiring of location cars, transportation for the team, insurance, lighting, generators, damage waivers, building, and cleanup. Some music videos are shot in what seems like hundreds of different places all around the world.
Make the necessary adjustments to your budget. It is impossible to produce a video that has a unified and well-styled appearance without the use of props and costumes, as well as the prop masters and stylists who put it all together. Do you want your music video to have the same production values as a Hollywood film? If you already have the money set aside for it, there won’t be an issue.3.
Production Equipment When compared side-by-side, movies filmed using consumer-grade cameras and videos recorded with top-of-the-line professional cameras with fantastic lighting – in addition to dollies, jibs, cranes, and other high-end gear, there is a world of difference between the two. There is a plethora of professional equipment available on the market today, ranging from 4K camera packages and lighting kits to a wide variety of other incredible production tools.
However, renting, maintaining, powering, and insuring this equipment all cost money. The higher the quality of the equipment, the more professional the look, but also the higher the price. Also, please do not listen to anyone who tries to convince you that shooting your epic music video on an iPhone is a good idea.
- You are in for a world of hurt, I’m afraid.4.
- The actors and production staff A good music video takes a lot of work from a lot of different skilled people.
- In most cases, anything from seven to 10 production experts may be involved in a shot.
- When working on more substantial projects, the team can consist of thirty individuals or more.
These workers are paid on a per-day basis, and it is imperative that the project be well-managed in order to prevent unexpectedly high costs. If you don’t have the proper people running all of this stuff, then the tools are meaningless even if you invest in the greatest equipment and the best post-production facilities.
This is true even if you invest in the best technology. Is it necessary to have dancers, actors, or even a cast of thousands for your concept? Someone has to be in charge of casting them, managing their rehearsals, and paying them. Although it’s always wonderful to have volunteers, you can’t always count on them.5.
Production Timetable The filming of a music video that has been well prepared might be completed in as little as one or two days. Productions on a larger scale typically take a week or perhaps longer. When you take into account the daily rates for the crew and the equipment that is being rented, it is easy to understand how the cost of production rises with each additional day of filming.6.
Food You got it, food On set, both the staff and the talent have to find time to eat. Stamina, both mental and physical, is required for a shoot that lasts at least 10 hours. If the squad is not adequately nourished on a consistent basis, the team’s performance will decrease. When people consider filming a music video, they frequently forget to take this into consideration.7.
Revisions and finishing touches in post-production The difficulty of the concept, whether or not special effects are required, the number of cameras used, the lighting design, the amount of material filmed, and any challenges with continuity all have a role in determining the cost of the editing process.
How much money does a music video make?
Over the course of the past decade, there have been several instances of dramatic shifts in the landscape of music creation, marketing, and sales. Additionally, the dynamic nature of the connection between music videos and the music industry has been shifting.
- The quantity of music that is being produced and distributed is bigger than it has ever been, and the number of music videos that are being made is also higher than it has ever been, despite the fact that the budget range for these projects is quite diverse.
- There are some bands that pay for their music videos out of their own personal funds, while other bands that are signed with large record companies frequently receive a music video budget that is regarded to be part of the marketing plan for the specific album or single that they are promoting.
Macklemore “Wings”: $18,269 (2011) Beat It by Michael Jackson was sold for $150,000. (1983) The song “Scream” earned Michael Jackson and Janet Jackson ten million dollars (1995, adjusted for inflation) Average studio music video budget: $200,000 — $500,000 (2010) We are aware of those figures, and we are also aware of the product that was created in the end; yet, if we do not have firsthand experience working with film production costs, it can be difficult to understand where the money is spent.
- There are a lot of bands that are trying to figure out how much money it will cost to produce a music video, and there are also a lot of new filmmakers who are trying to figure out how much they should charge for their work.
- The following is a summary of some common general expenditures that are associated with film production, and more particularly, the creation of music videos: Costs of manufacturing (approximately): The daily producer charge ranges from $500 to $1250.
Daily fees for the director range from $500 to $1250. Camera operator: $500–1000/day Camera equipment rental: $150 — $3500/day The daily rate for key grip, assistant, and lighting gear ranges from $1,000 to $1,750. Depending on the character production, wardrobe costs are projected to range from $20 to $1,000 every day.
- Permit fees range from $25 to $1,000 per day (depending on the city, exact location, whether roads need to be closed, etc) Rental costs and location expenses range from $250 to over $2500 per day.
- 200–$1200 a day, depending on the actor (each) Extras: $50 — $200/day (each) Post-production time estimated to take between two and three days.
Editing rates range from $500 to $1250 per day. Cost ranges from $200 to $400 for redundant hard disk archives. Cost per hour for a visual effects artist ranges from $75 to $150. Colorist rates range from $100 to $200 per hour. Additional expenses include: Compensation for the members of the band Development/Pre-production (scripts, storyboards, strategy, etc) Additional actors and background performers Rentals of props and furniture during marketing hours Set construction Insurance for production costs Catering (to provide meals) etc.
- In the past few years, I’ve had the opportunity to work on a number of music videos, and I’d want to talk about four of them in particular.
- Each of these music videos represents a unique budget range and degree of production value.
- It is important to note that nothing is written in stone, and various marketplaces and individuals will generate varying degrees of labor at different price points; but, this should offer a basic notion of what it is like in my experience.
At this level, my work often exhibits the traits that are listed below: One entire day of filming was completed (or possibly two half-days) One camera operator Crew of skeletons (one or two people) Using either DSLR or mirrorless cameras for filming. There are very few, if any, hired actors. A significant number of production responsibilities are going to be consolidated (for example, the Director may also produce and edit; the Director of Photography will probably be responsible for all grip and gaffer work, etc) It is common practice to avoid paying permit costs by carefully selecting production locations.
I directed, shot, and edited the music video for “Overcome” by Alabaster, which had a budget of about this much. We were able to complete the filming of the whole event in approximately six hours, including the time it took to set up. We started by filming the band, and then immediately after that, we brought in the dancers, threw up a 2K light, and filled the space with fog.
Before we had to stop working together due to time constraints, the two dancers and I had a little under an hour of productive time together. The following is a list of criteria that define this budget range: A number of shooting days were completed. Compact group (four or five people) Using high-end video, DSLR, or mirrorless cameras to film the footage. This is the appropriate tone for the music video I made for Theoretics’s “Jekyll & Hyde.” The band depended largely on favors and connections throughout the community, but they still needed to bring in four or five professional actors in order to perform.
- We utilized a great number of unique places, each of which demanded a separate payment.
- We wanted to shut up a few portions of roadway in order to film many different pieces, which meant that we needed licenses from the city (and coordination with the local police).
- Due to the fact that our production was not large enough to require large trucks or generators, we were able to qualify for a less expensive type of film permit with the cities that were involved.
Additionally, the same level of production insurance was not required by the cities in which we filmed because our budget was less than $10,000. (that type of rule changes drastically from city to city, so call the film permit office before planning your shoot).
- When it’s at this level, the production feels more like the set of an independent film than it does a student movie or a project done by an enthusiast.
- It doesn’t quite have the same vibe as working with a full-fledged film crew, but it’s about as near as somebody who’s independently financed usually gets.
The following is a list of qualities that are associated with this budget level: A period of many days’ worth of work Crew Size: About Right Shot with a high-end digital cinema camera package such as RED, Alexa, or another one. It’s possible to use seasoned, trained performers in the production.
In the majority of cities, producers are obliged to have full production insurance. In the majority of cities, obtaining a city permission is necessary. The video could be missing anything important if it doesn’t have enough visual effects. The budget for the music video for Adam Zwig’s song “Everybody Love,” which I directed, shot, and edited, fell somewhere around this area.
Paying the actors was a significant portion of the budget (I believe we had more than thirty actors participating, though not all of them made it into the final cut), and setting up the theater with the band also had a significant amount of expenditures associated with it.
- This movie also includes a few thousand dollars’ worth of unseen visual effects, which were adjusted after the shot was filmed to accommodate the customer’s developing vision for the video.
- These changes were made in order to save the client a few thousand dollars.
- A period of many days’ worth of work Full professional film crew Shot with a high-end digital cinema camera package such as RED, Alexa, or another one.
It’s possible to use seasoned, trained performers in the production. Full production insurance is necessary There is a need for municipal licenses. The video could revolve mostly around the use of visual effects. At this point, everybody who’s engaged is a professional and they’re all here to accomplish one specific job.
It is not uncommon for there to be as many as fifty people working on a single production (their roles might range from production assistants to hair and makeup artists to caterers to runners to DITs), and the post-production pipeline is comparable to that of a feature picture (a full crew involved in the editorial department and post-production process).
In 2011, I worked as an editor on “Santa Claus is Coming to Town” by Justin Bieber. Because I have worked on other projects that were very much like this one, I have a very good idea of how much it cost, and my best guess is that it was somewhere around $150,000.
SONY Pictures and Island Records were the two corporate companies that provided funding for the project. The production was handled similarly to that of a feature film and had a budget ranging from $10–20 million. It took place over the course of two days in Los Angeles: on the first day, Justin was shot for a significant portion of the day, and on the second day, the dancers took center stage.
In the week leading up to the filming, the set and props were constructed (I believe that the set was brought in and assembled on the day prior to shooting, but it may have taken two days), and the majority of the costumes were rented in Los Angeles.
I believe that the set was brought in and assembled on the day prior to shooting. It was shot in stereoscopic 3D at a resolution of 5K on two RED Epic cameras, and I processed it in 3D using a configuration consisting of Final Cut Pro 7 and Cineform plugin tools in order to manage the 3D part of the editing process.
The coloring and conforming of the edit had to be hurriedly completed in order for it to be ready in time to serve as a pre-roll to the children’s movie “Arthur Christmas” for its release. The difference in cost between “Overcome” and “Santa Claus is Coming to Town” may lead some of you to the conclusion that higher levels of production result in more unnecessary expenditures of financial resources.
Although this may be the case in some circumstances, it is essential to keep in mind that the advantages of having a large crew and a complete set of professional tools typically materialize in extremely important ways that may not be immediately apparent to an observer who is only looking at the work in a casual capacity.
For instance, a comprehensive pre-visualization was done for the Justin Bieber music video. Mood boards and color palettes were created in advance so that they could be reviewed and approved by the several levels of executives who were involved. There was plenty of time to accomplish everything properly and reliably, and there was very little chance that the end result would be different from what was anticipated.
The majority of “Overcome” was created on set through improvised scenes, and the production of the film needed a great deal of improvisation as well as the ability to make split-second decisions. While I was filming the dancers, I put all of my faith in their capacity to understand and execute the instructions I gave them without any prior rehearsal or preparation of any choreography.
While we were in the process of manufacturing, we did a lot of different experiments and weren’t exactly sure what the end result would look like. Simply put, the amount of money that is invested on a music video (or a film) directly correlates to the degree to which the finished product will have a professional appearance.
I’ve seen a lot of bands shoot music videos for $500 with a filmmaker who’s never done it before and has very little expertise in the film industry, and occasionally those films end out really great. The majority of the time, the band will have a music video that seems quite unprofessional, which may be detrimental to both their brand and the credibility of their image.
The band needs to be aware of how much money they will need to spend and what they should anticipate before making a music video. This will allow them to make an informed decision when choosing a director who will assist them in meeting their objectives while staying within their budgetary constraints.
How much does it cost to make a good music video?
At a minimum, $1500 to $2000 is going to be needed to produce a music video of decent quality. If you and the other individuals you are working with have enough imagination, there are many cameras available these days that can be purchased for a reasonable price and can make you appear pretty good with a minimum of effort and talent.
Are music videos still worth it?
When I remark that I can’t remember the last time I sat down and watched a whole music video, I’m sure I’m not the only one who feels this way. No longer do people get home from school and immediately start flipping through various music stations on the television or browsing through YouTube for the newest music videos.
As a result of advancements in technology, more and more individuals are turning to music streaming services like Spotify to listen to their music. The majority of the time, individuals do not even consider the possibility of going to YouTube in order to view the music video that corresponds with the song that they are now listening to.
Why does this happen to be the case? Are we getting closer and closer to the end of the age of music videos? I believe that the rise of contemporary technologies is mostly responsible for the decrease in interest in music videos. In the past, listening to music was an activity that required more effort on the part of the listener, whether that effort consisted of purchasing CDs, tuning in to one’s preferred radio stations, or downloading songs onto one’s iPod.
- These days, millions of individuals just plug in their wireless earbuds and push the play button on their smartphone to listen to music.
- Listening to music is something that we are able to do with relative ease due to the fact that we always have access to millions of tunes.
- In addition to this, many now have smart speakers in their homes, which further eliminates the requirement to watch music videos.
It’s possible that some individuals, because to the hectic nature of their lives, feel as though they aren’t getting enough out of a music video to justify taking the time to watch it all the way through. Many individuals, especially those of younger generations, have become accustomed to watching short videos that are amusing and move at a rapid speed on platforms such as TikTok and Instagram.
- A shorter attention span is a natural consequence of this development.
- In addition to this, consumers are now able to listen to music whenever and wherever they choose because to the accessibility offered by music streaming services like as Spotify.
- Music has, in some senses, evolved into more of a background noise that may be utilized to accompany one’s activities such as going for a stroll or engaging in a session of studying.
The majority of people are living their lives in such a way that it is becoming less common for them to take the time to sit down and watch music videos. Some people believe that, in recent years, there has been a general decline in both the production quality and artistic merit of music videos.
Despite the fact that we have access to more options and more advanced technology than at any other time in history, some artists may decide to invest a significant portion of their cash in other areas. Having said all of this, I believe that music videos still have value and that they will probably never completely disappear.
Despite the fact that they are not as well-known, in my opinion, they are still works of art that provide a one-of-a-kind look into the thoughts of the artist. Since 2013, there has not been a single music video that has achieved the same level of cultural significance as “Wrecking Ball.” When you hear a song, there are some music videos that immediately spring to mind.
- For example, when you hear “Thriller,” “Bohemian Rhapsody,” or even “Wrecking Ball,” you immediately think of the accompanying music video.
- In point of fact, I can’t think of a single music video that has been released after 2013 that is as legendary as “Wrecking Ball.” This is a strong indication, in my opinion, that the quality of videos that are well thought out and have a compelling message has significantly declined over the past several decades.
Even though they are not as widely watched as they once were, music videos continue to serve a vital purpose for a number of reasons. To begin, it enables the artists to unleash their own creativity and realize some of their ideas for how the music should be visually represented.
The creation of music videos provides producers and filmmakers with more opportunities to garner attention in the competitive world of media. Because music videos frequently attract the attention of millions, if not billions, of viewers, making use of them is an excellent method for anybody working in the entertainment industry to gain visibility, not just the musicians themselves.
It has been said that now is an ideal moment to revitalize the music video industry, given the current epidemic. During the repeated lockdowns, we have all been searching for ways to amuse ourselves without leaving the safety and convenience of our homes.
Music videos are an excellent choice since there is such a wide variety of content available; there is certainly something for everyone. In addition to this, it is quite simple to post music videos on social media, and doing so helps to bring together the community of people who like listening to music.
I don’t believe that music videos will ever be totally phased out; rather, I believe that people will acquire the knowledge and adjust the manner in which they consume and share them. It is difficult to predict what will happen to music videos in the future.
How long does it take to shoot a movie?
The production of a movie consists of four stages. – Generating ideas The initial glimmer of inspiration ushers in this stage of the process. The director will take that first concept and begin writing an outline, followed by a rough draft of the script, while also thinking about the cast and crew they will assemble.
- This might take a few months, and throughout this time, you have the opportunity to change your mind about the specific project without incurring any financial loss.
- Pre-production It is anticipated that this procedure will take less than a year.
- The director and producer are the ones responsible for hiring crew personnel, starting with department heads.
These heads are responsible for hiring the remainder of the team, holding auditions and hiring actors, scouting locations, and beginning the design process for the set and costumes. The planning for the production is done by the production crew. The time is spent on rewrites by the writers, while the director and cinematographer storyboard the various sequences.
The producers create a budget and then go out and gather the necessary funds. David Andrew Stoler, who is both a director and a writer, adds that during the pre-production phase, “you really need to take your time and make sure that everything is set up.” The more you are able to prepare, including things like rehearsing, blocking scenes, and developing a comprehensive shooting schedule, the fewer surprises you will have to deal with during production, and the less likely it will be that you will run over your budget.
Production The time it takes to actually capture the footage needed for a movie can range anywhere from one to three months on average. The amount of time required is proportional to the length of the script, although progress is painfully slow. Margaret Kurniawan, who is in charge of cinematography, claims that it will take an entire day to film one or two screenplay pages.
- This estimate is subject to a great deal of variation based on the variety of scenarios you need to shoot as well as the amount of various camera configurations and situations you need to film.
- Scenes in which characters just converse with one another take about half as long to film as those in which there is a lot of highly orchestrated action, stunts, or pyrotechnics.
It is always a good idea to give yourself extra time to shoot sequences than you believe you’ll require in order to avoid running out of time. “No matter what advice the director of photography gives you, you should always add additional time. Allow yourself as much breathing room as you can in the event that things take longer than you anticipated “says Stoler.
- Post-production The process of creating a movie is effectively restarted when it gets to the post-production stage.
- At this point, the video and audio that were caught by the team are more important than anything that was written in the screenplay.
- As reshoots are frequently not possible owing to financial and time restrictions, the objective is frequently to apply video editing methods in order to create the best picture possible with the footage that is already available.
From the time raw material is acquired until the final cut is completed, an average of six to twelve months passes. In addition, any computer-generated imagery (CGI) or other special effects, motion graphics for title sequences, color correction, audio mixing, and the inclusion of music or other sound effects, as well as their editing, are included in this phase.