Popular Music Is Said To Reflect The Tastes And Preferences Of Which Social Class?

Popular Music Is Said To Reflect The Tastes And Preferences Of Which Social Class
Since the beginning of the industrial revolution in the middle of the 1800s, the term “popular music” has been used to refer to any type of music that is in accordance with the preferences and tastes of the middle class.

What is popular music said to reflect the tastes and preferences?

Class in the middle The musical interests and preferences of members of which socioeconomic class are believed to be reflected in popular music? middle In the early 1980s, which television channel was the first to start broadcasting music videos? MTV Since the beginning of the industrial revolution in the middle of the 1800s, the term “popular music” has been used to refer to any type of music that is in accordance with the preferences and tastes of the middle class.

What is popular music?

MTV Since the beginning of the industrial revolution in the middle of the 1800s, the term “popular music” has been used to refer to any type of music that is in accordance with the preferences and tastes of the middle class. The only music that can be called “pop” is popular music, in its purest form.

How does society’s popular music reflect its ideals?

Definition: Popular music has been there for as long as there has been an urban middle class to buy and listen to it, in whatever form it may have taken. The aesthetic quality that it strives to achieve is the primary factor that sets it apart from everything else.

For as long as there has been a cultural elite, they have been the ones to bestow an elevated, if not self-important, religious or aesthetic status upon music. On the other hand, for the rural populace, music has always been functional and unselfconscious, serving as an accompaniment to labor in the fields or at festivals that offer periodic escape from toil.

However, since since Rome and Alexandria, professional performers have kept city people entertained while also enlightening them with songs, marches, and dances whose aspirations were somewhere in the middle. ― Robert Christgau, from the article “Collier’s Encyclopedia” (1984) Music has been categorized as “popular” by academics based on a variety of criteria, such as whether or not listeners learn a song or piece primarily from hearing it (in contrast to classical music, in which many musicians learn pieces from sheet music); the music’s appeal to a wide variety of listeners; the music’s treatment as a marketplace commodity within a capitalist context; and other criteria.

  • One measurement may be the number of’recordings’ or sheets of music that are sold.
  • Middleton and Manuel point out that there are issues with this definition due to the fact that repeated listenings or plays of the same piece of music or song are not counted.
  • Another approach to defining popular music is to evaluate its appeal based on the size of the audience (mass appeal) or on whether the audience is of a certain social class.
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However, this approach also has issues due to the fact that social categories of people cannot be accurately applied to musical styles. According to Manuel, one of the criticisms that might be leveled against popular music is that it is generated by major media corporations, and the audience just buys or rejects the music that is being produced.

  • Manuel makes this claim in his article.
  • He asserts that the listeners in the situation would not have been able to choose the music that they consider to be their favorite, which contradicts the conventional understanding of what constitutes popular music.
  • In addition, “understandings of popular music have altered with the passage of time.” [Citation needed] Middleton contends that if research were to be conducted on the field of popular music, there would be a level of consistency within societies to characterize historical periods, distribution of music, and the patterns of influence and continuity within the popular styles of music.

He makes this argument in his article “The Stability of Societies,” which can be found here. Anahid Kassabian classified today’s most popular music into the following four subgenres:

  • “popular as populist,” or having overtones of emancipation and expression
  • examples include jazz, Latin music, and rhythm and blues. “popular as populist”
  • “popular as folk,” which is another way of saying that the music was written by the people, for the people
  • examples of this include country music, reggae music, and gospel music.
  • “popular as counterculture,” or inspiring citizens to fight against the oppression they suffer
  • examples include punk rock, heavy metal music, and hip hop music. Similarly, “popular as counterculture” may also refer to “popular as a counterculture.”
  • “popular as mass,” in which case the music becomes the instrument of subjugation.
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Popular music in a society often reflects the values that are widely held at the time when the music is being played or released. According to David Riesman, the younger members of the audiences that listen to popular music belong either to a majority group or a subculture.

The styles that are generated for commercial consumption are what the majority of people listen to, whilst the subcultures seek out styles that are considered to be on the margins in order to communicate the values that are important to them. Because of this, young people are given the ability to pick the musical genres with which they identify, which grants them the authority as consumers to influence the market for popular music.1970 was the year when Robert Christgau, a music critic, came up with the phrase “semipopular music” to characterize albums that appeared to be suitable for widespread consumption but ultimately failed to find success in the marketplace.

Later, in Christgau’s Record Guide: Rock Albums of the Seventies (1981), he explained, “I recognized that something else was going on—the distribution system appeared to be faltering, FM and all.” He made this observation in reference to the fact that albums such as The Velvet Underground and The Gilded Palace of Sin (by Flying Burrito Brothers) possessed populist qualities but were unable to make an impact on the record charts.

What type of music was not played in medieval times?

During the Middle Ages, music that was not associated with religion was forbidden by the church and was not performed. True False False What type of music instrument did William Byrd excel at, earning him the title “genius”? Lute Sagbut Piano Violin Piano The musical interests and preferences of members of which socioeconomic class are believed to be reflected in popular music? Upper class Class in the middle The working poor Underclass Middle class